I have never experienced an art form more all consuming than graffiti. At one point, graffiti had a very firm grip on my life and lifestyle -it was the last thing on my mind before going to bed and the first thing that came into my head every morning. From acquiring supplies and photographing a finished work, to wandering the city trying to find the perfect spot to paint and marking the terrain along the way, graffiti motivated almost every move I made. Even perils with the law, fights with rival writers and injuries sustained while out on missions couldn't have ended my relationship with graffiti. I still love it to this day.
The death of a friend and fellow graffiti artist while we were bombing the F train tunnel between Bergen and Carroll Street in 2001 caused me to take a less active role in graffiti. Deeply affected by the tragic loss I chose to channel my energy into other artistic endeavors. Since then, I have participated in a number of group shows displaying the talents of graffiti artists as well as traditional artists. While I use canvas, wood, metal as well as found objects, I remain true to my roots and try to incorporate the essence of graffiti into everything I produce. I continue to use the tools of the trade (paint markers, spray paint, homemade writing implements) in my work; while I have transitioned to the less controversial use of chalk for my street art.
This show is dedicated to the graffiti life and the ongoing struggle graffiti artists continue to face today. I have massive respect for the forefathers of graffiti who paved the way and pioneered this art form (do the research). The graffiti writer's struggle is not limited to running from the police and fighting court cases, but it also lies in the ongoing battle we face to transition from being understood by mainstream society as a "vandal" to a legitimate and commercial artist. Even though graffiti has inestimably influenced our entire environment- from music and fashion to advertising, architecture and graphic arts, many graffiti artists remain anonymous and unrecognized by mainstream society.
Writing graffiti is putting out public art for people who normally wouldn't go to a museum or gallery. All of my chalk drawings are like graffiti in that respect, although they are temporary. They capture a moment in time. Ironically they have spawned from an un-pleasurable moment in time, one that Time Out NY has called an "only-in-New York back story." However, I'd like to thank my machete wielding assailant and his shadow for inspiring me to create my drawings on the streets and these pieces on display. I hope that they make a difference in people's lives- they sure have made and continue to make a difference in mine.
I have never experienced an art form more all consuming than graffiti. At one point, graffiti had a very firm grip on my life and lifestyle -it was the last thing on my mind before going to bed and the first thing that came into my head every morning. From acquiring supplies and photographing a finished work, to wandering the city trying to find the perfect spot to paint and marking the terrain along the way, graffiti motivated almost every move I made. Even perils with the law, fights with rival writers and injuries sustained while out on missions couldn't have ended my relationship with graffiti. I still love it to this day.
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