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Frankly, I wasn't expecting much from this collection, but it turned out to be very pleasant surprise. You may expect great songs from renowned stalwarts like Gregory Isaacs, Dennis Brown, or Horace Andy (and indeed, their songs are good), but relatively less-know artists like Tyrone Taylor and Leroy Smart contribute with similarly enjoyable cuts and obscure artists like The Jewels and George B add some downright gems. Many of these songs are presented in extended mix with dub or DJ companions, making Sufferation even more efficient. Highlights are too many to mention, but (apart from previously mentioned) I find the Rock Tone Band's "Burn Me Out," Christine's "Saturday," and Dennis Brown's "Blessed Are the Men" absolutely delightful. Sufferation is the album that any seasoned reggae fan would eat up. Everything is in balance: wise selection of artists and songs, massive liner notes, and perfect sound quality. It's definitely a better showcase for Niney than Heartbeat's Observer Station. Sir Marvin

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Bio

Producer Niney the Observer was among the chief architects behind the classic reggae sound of the early 1970s. Born Winston Holness in Montego Bay, Jamaica in 1951, he acquired the Niney moniker when he lost a thumb in a workshop mishap; he entered the music industry during the late 1960s as a protégé of producer Bunny Lee, later working with Lee "Scratch" Perry. Upon establishing his own Observer label, Niney's first hit was the 1970 Dennis Alcapone single "Mr. Brown"; later that year he unleashed the seminal "Blood and Fire," which sold some 30,000 copies in Jamaica alone while forever earning the enmity of Bob Marley, to whose "Duppy Conqueror" the record bore more than a passing resemblance. Niney's greatest success came in partnership with singer Dennis Brown, with whom he first teamed in 1973; in the months to follow, their collaboration yielded a series of innovative smashes, among them "Westbound Train," "I Am the Conqueror," "Cassandra" and "No More Will I Roam." He also produced material for figures including Gregory Isaacs, Horace Andy, Junior Delgado and Delroy Wilson. Niney left the music business during the late 1970s, finally resurfacing in Paris around 1982; by the midddle of the decade, he had returned to Kingston to briefly work at Channel One studios. He returned to active musical duty in 1988, producing records for Andrew Tosh and Frankie Paul; projects with Little John, Yami Bolo and Baby Wayne maintained his visibility during the decade to follow.

Jason Ankeny, All Music Guide

Label: Auralux